Free
ABOUT THIS RESOURCE
Description
Juan Melara Fujifilm X-H2S to Alexa PowerGrade & LUTs is a professional camera color matching toolkit designed to transform Fujifilm X-H2S footage toward the color reproduction of the ARRI Alexa.
The X-H2SFuji2Alexa system supports Fujifilm F-Log2 and F-Log2C workflows, allowing filmmakers and colorists to match footage to an Alexa-style LogC pipeline for consistent grading, camera matching, and cinematic finishing.
The complete bundle combines editable DaVinci Resolve PowerGrades with camera conversion LUTs, ARRI LogC-to-Rec.709 output transforms, post-production LUTs, and on-set monitoring LUTs.
WHAT'S INCLUDED
POWERGRADES
• X-H2SFuji2Alexa F-Log2 YRGB PowerGrade.
• X-H2SFuji2Alexa F-Log2C YRGB PowerGrade.
• X-H2SFuji2Alexa F-Log2C RCM PowerGrade.
CAMERA MATCHING LUTS
• X-H2SFuji2Alexa LogC camera matching LUT.
• Support for Fujifilm F-Log2 and F-Log2C footage.
• ARRI LogC output for Alexa-oriented color grading workflows.
ARRI REC.709 OUTPUT LUTS
• ARRI LogC2Video Rec.709 Standard.
• ARRI LogC2Video Rec.709 Standard V2.
• ARRI LogC2Video Rec.709 Standard V3.
• ARRI LogC2Video Rec.709 Wide Dynamic Range V2.
POST-PRODUCTION LUTS
• Combined X-H2SFuji2Alexa LogC and Rec.709 transforms.
• Standard V2, Standard V3, and WDR V2 output variations.
• High-precision 65-point LUTs for post-production.
ON-SET MONITORING LUTS
• Combined camera matching and Rec.709 output transforms.
• Standard V2, Standard V3, and WDR V2 variations.
• 33-point LUTs designed for compatible cameras and external monitors.
KEY FEATURES
• Fujifilm X-H2S to ARRI Alexa Matching – Transform Fujifilm footage toward the color response of ARRI Alexa.
• F-Log2 Support – Convert Fujifilm F-Log2 footage into an Alexa-style LogC workflow.
• F-Log2C Support – Work with Fujifilm F-Log2C footage using updated LUTs and PowerGrades.
• Editable YRGB PowerGrades – Adjust the camera matching transform directly within DaVinci Resolve.
• Resolve Color Managed Support – Includes an F-Log2C RCM PowerGrade for color-managed projects.
• ARRI LogC Integration – Use creative LUTs and PowerGrades designed for compatible Alexa LogC workflows.
• Rec.709 Output Options – Choose between Standard, Standard V2, Standard V3, and WDR V2 output transforms.
• Improved Rec.709 V3 – Provides slightly higher contrast than V2 and reduced highlight saturation for more natural-looking skin tones.
• High-Precision Post LUTs – Includes 65-point LUTs for post-production color grading.
• On-Set Monitoring – Preview the Alexa-style transform using 33-point monitoring LUTs.
• Multi-Camera Color Matching – Helps maintain a consistent color pipeline when working with Fujifilm and ARRI footage.
COLOR TRANSFORMATION WORKFLOW
1. F-LOG2 TO ARRI LOGC
Convert Fujifilm X-H2S F-Log2 footage toward ARRI Alexa colors and LogC encoding.
Suitable for:
• Alexa-oriented color grading.
• Matching Fujifilm and ARRI footage.
• Applying compatible ARRI LogC creative looks.
2. F-LOG2C TO ARRI LOGC
Use the updated F-Log2C camera matching transform.
Suitable for:
• Fujifilm X-H2S F-Log2C footage.
• YRGB workflows in DaVinci Resolve.
• Projects requiring an Alexa-style LogC pipeline.
3. F-LOG2C RCM POWERGRADE
Use the dedicated PowerGrade in Resolve Color Managed projects.
Suitable for:
• Color-managed DaVinci Resolve workflows.
• F-Log2C footage.
• Camera matching within an RCM grading pipeline.
4. REC.709 FINISHING
Apply an appropriate ARRI LogC-to-Rec.709 transform to produce a display-ready image.
Output options include:
• Standard.
• Standard V2.
• Standard V3.
• WDR V2.
IDEAL FOR
• Fujifilm X-H2S filmmaking.
• ARRI Alexa color matching.
• Multi-camera productions.
• Narrative films and short films.
• Commercial and advertising productions.
• Music videos.
• Documentary filmmaking.
• Professional DaVinci Resolve color grading.
• On-set monitoring and camera look previews.
COMPATIBILITY
Camera:
• Fujifilm X-H2S.
Recording profiles:
• Fujifilm F-Log2.
• Fujifilm F-Log2C.
PowerGrade software:
• DaVinci Resolve.
LUT workflows:
• DaVinci Resolve.
• Adobe Premiere Pro.
• Other compatible LUT-based editing and grading applications.
Color management:
• DaVinci YRGB.
• Resolve Color Managed (RCM).
• ARRI LogC.
• Rec.709 output.
Requirements:
• DaVinci Resolve 19 or later for F-Log2C PowerGrades.
• Appropriate input color management for the selected LUT or PowerGrade.
RECOMMENDED WORKFLOW
1. Import Fujifilm X-H2S footage into your editing or grading application.
2. Identify whether the footage was recorded in F-Log2 or F-Log2C.
3. Select the matching LUT or PowerGrade.
4. For DaVinci Resolve, choose the appropriate YRGB or RCM version.
5. Apply the X-H2SFuji2Alexa camera matching transform.
6. Correct exposure and white balance as required.
7. Apply a compatible ARRI LogC-to-Rec.709 output transform.
8. Adjust contrast, saturation, and the final creative look.
9. Compare the result with ARRI Alexa footage when camera matching is required.
IMPORTANT NOTES
• This description covers the combined PowerGrade and LUT bundle.
• The creator also sells LUT-only and PowerGrade-only versions.
• F-Log2C PowerGrades require DaVinci Resolve 19.
• The F-Log2C RCM PowerGrade is intended for Resolve Color Managed workflows.
• Post-production LUTs use 65-point precision.
• On-set monitoring LUTs use 33-point precision.
• The product is a camera matching system, not a Kodak or Fujifilm film stock emulation preset.
• FilmUnliJuan Melara – Fujifilm X-H2S to Alexa PowerGrade & LUTs
X-H2SFuji2Alexa is a camera color matching system developed by Juan Melara to accurately match Fujifilm X-H2S footage to the ARRI Alexa.
The package supports Fujifilm F-Log2 and F-Log2C, transforming footage toward the Alexa color response and native ARRI LogC format.
The PowerGrade & LUT Bundle combines editable DaVinci Resolve PowerGrades with camera matching LUTs, Rec.709 output transforms, post-production LUTs, and on-set monitoring LUTs.
WHAT'S INCLUDED
1. CAMERA MATCHING POWERGRADES
• X-H2SFuji2Alexa F-Log2 YRGB PowerGrade – Matches Fujifilm X-H2S F-Log2 footage to ARRI Alexa.
• X-H2SFuji2Alexa F-Log2C YRGB PowerGrade – Supports F-Log2C footage in DaVinci Resolve 19.
• X-H2SFuji2Alexa F-Log2C RCM PowerGrade – Designed for F-Log2C footage in Resolve Color Managed workflows. Requires DaVinci Resolve 19.
2. CAMERA MATCHING LUTS
• X-H2SFuji2Alexa LogC Camera Match LUT – Transforms Fujifilm X-H2S F-Log2/F-Log2C footage to match ARRI Alexa in its native LogC format.
• Can be combined with ARRI LogC output transforms or compatible Alexa LUTs and PowerGrades.
3. ARRI LOGC TO REC.709 LUTS
• Standard.
• Standard V2.
• Standard V3.
• Wide Dynamic Range V2 (WDR V2).
The V3 transform offers slightly higher contrast than V2 and reduced highlight saturation for more natural skin tones.
4. POST-PRODUCTION REC.709 LUTS
• Combined camera matching and Rec.709 transforms.
• Standard V2, Standard V3, and WDR V2 variations.
• High-quality 65-point precision for post-production.
5. IN-CAMERA / ON-SET REC.709 LUTS
• Combined X-H2SFuji2Alexa and Rec.709 transforms.
• Standard V2, Standard V3, and WDR V2 variations.
• 33-point precision for compatible cameras and external monitors.
KEY FEATURES
• Accurate Fujifilm X-H2S to ARRI Alexa color matching.
• Support for Fujifilm F-Log2 and F-Log2C.
• ARRI LogC camera matching workflow.
• Editable YRGB PowerGrades in DaVinci Resolve.
• F-Log2C support for Resolve Color Managed workflows.
• Multiple ARRI Rec.709 output transforms.
• 65-point post-production LUTs.
• 33-point on-set monitoring LUTs.
• Compatibility with other LUTs and PowerGrades designed for ARRI Alexa.
• Flexible workflows using either PowerGrades or LUTs.
COMPATIBILITY
Camera:
• Fujifilm X-H2S.
Input profiles:
• Fujifilm F-Log2.
• Fujifilm F-Log2C.
Software:
• DaVinci Resolve – PowerGrade and LUT workflows.
• Adobe Premiere Pro and other compatible NLEs – LUT workflows.
Color workflows:
• DaVinci YRGB.
• Resolve Color Managed (RCM).
• ARRI LogC.
• Rec.709.
F-Log2C PowerGrades require DaVinci Resolve 19.
VERSION HISTORY
February 20, 2025:
• Added F-Log2C support to PowerGrades and LUTs.
• Added F-Log2C RCM PowerGrade.
• Introduced ARRI Rec.709 V3.
• Updated post-production and on-set LUTs with Rec.709 V3.
Initial release: June 5, 2023.mited is demonstrated separately and is not automatically included.
• The final result depends on camera settings, exposure, white balance, color management, and grading adjustments.
The X-H2SFuji2Alexa system supports Fujifilm F-Log2 and F-Log2C workflows, allowing filmmakers and colorists to match footage to an Alexa-style LogC pipeline for consistent grading, camera matching, and cinematic finishing.
The complete bundle combines editable DaVinci Resolve PowerGrades with camera conversion LUTs, ARRI LogC-to-Rec.709 output transforms, post-production LUTs, and on-set monitoring LUTs.
WHAT'S INCLUDED
POWERGRADES
• X-H2SFuji2Alexa F-Log2 YRGB PowerGrade.
• X-H2SFuji2Alexa F-Log2C YRGB PowerGrade.
• X-H2SFuji2Alexa F-Log2C RCM PowerGrade.
CAMERA MATCHING LUTS
• X-H2SFuji2Alexa LogC camera matching LUT.
• Support for Fujifilm F-Log2 and F-Log2C footage.
• ARRI LogC output for Alexa-oriented color grading workflows.
ARRI REC.709 OUTPUT LUTS
• ARRI LogC2Video Rec.709 Standard.
• ARRI LogC2Video Rec.709 Standard V2.
• ARRI LogC2Video Rec.709 Standard V3.
• ARRI LogC2Video Rec.709 Wide Dynamic Range V2.
POST-PRODUCTION LUTS
• Combined X-H2SFuji2Alexa LogC and Rec.709 transforms.
• Standard V2, Standard V3, and WDR V2 output variations.
• High-precision 65-point LUTs for post-production.
ON-SET MONITORING LUTS
• Combined camera matching and Rec.709 output transforms.
• Standard V2, Standard V3, and WDR V2 variations.
• 33-point LUTs designed for compatible cameras and external monitors.
KEY FEATURES
• Fujifilm X-H2S to ARRI Alexa Matching – Transform Fujifilm footage toward the color response of ARRI Alexa.
• F-Log2 Support – Convert Fujifilm F-Log2 footage into an Alexa-style LogC workflow.
• F-Log2C Support – Work with Fujifilm F-Log2C footage using updated LUTs and PowerGrades.
• Editable YRGB PowerGrades – Adjust the camera matching transform directly within DaVinci Resolve.
• Resolve Color Managed Support – Includes an F-Log2C RCM PowerGrade for color-managed projects.
• ARRI LogC Integration – Use creative LUTs and PowerGrades designed for compatible Alexa LogC workflows.
• Rec.709 Output Options – Choose between Standard, Standard V2, Standard V3, and WDR V2 output transforms.
• Improved Rec.709 V3 – Provides slightly higher contrast than V2 and reduced highlight saturation for more natural-looking skin tones.
• High-Precision Post LUTs – Includes 65-point LUTs for post-production color grading.
• On-Set Monitoring – Preview the Alexa-style transform using 33-point monitoring LUTs.
• Multi-Camera Color Matching – Helps maintain a consistent color pipeline when working with Fujifilm and ARRI footage.
COLOR TRANSFORMATION WORKFLOW
1. F-LOG2 TO ARRI LOGC
Convert Fujifilm X-H2S F-Log2 footage toward ARRI Alexa colors and LogC encoding.
Suitable for:
• Alexa-oriented color grading.
• Matching Fujifilm and ARRI footage.
• Applying compatible ARRI LogC creative looks.
2. F-LOG2C TO ARRI LOGC
Use the updated F-Log2C camera matching transform.
Suitable for:
• Fujifilm X-H2S F-Log2C footage.
• YRGB workflows in DaVinci Resolve.
• Projects requiring an Alexa-style LogC pipeline.
3. F-LOG2C RCM POWERGRADE
Use the dedicated PowerGrade in Resolve Color Managed projects.
Suitable for:
• Color-managed DaVinci Resolve workflows.
• F-Log2C footage.
• Camera matching within an RCM grading pipeline.
4. REC.709 FINISHING
Apply an appropriate ARRI LogC-to-Rec.709 transform to produce a display-ready image.
Output options include:
• Standard.
• Standard V2.
• Standard V3.
• WDR V2.
IDEAL FOR
• Fujifilm X-H2S filmmaking.
• ARRI Alexa color matching.
• Multi-camera productions.
• Narrative films and short films.
• Commercial and advertising productions.
• Music videos.
• Documentary filmmaking.
• Professional DaVinci Resolve color grading.
• On-set monitoring and camera look previews.
COMPATIBILITY
Camera:
• Fujifilm X-H2S.
Recording profiles:
• Fujifilm F-Log2.
• Fujifilm F-Log2C.
PowerGrade software:
• DaVinci Resolve.
LUT workflows:
• DaVinci Resolve.
• Adobe Premiere Pro.
• Other compatible LUT-based editing and grading applications.
Color management:
• DaVinci YRGB.
• Resolve Color Managed (RCM).
• ARRI LogC.
• Rec.709 output.
Requirements:
• DaVinci Resolve 19 or later for F-Log2C PowerGrades.
• Appropriate input color management for the selected LUT or PowerGrade.
RECOMMENDED WORKFLOW
1. Import Fujifilm X-H2S footage into your editing or grading application.
2. Identify whether the footage was recorded in F-Log2 or F-Log2C.
3. Select the matching LUT or PowerGrade.
4. For DaVinci Resolve, choose the appropriate YRGB or RCM version.
5. Apply the X-H2SFuji2Alexa camera matching transform.
6. Correct exposure and white balance as required.
7. Apply a compatible ARRI LogC-to-Rec.709 output transform.
8. Adjust contrast, saturation, and the final creative look.
9. Compare the result with ARRI Alexa footage when camera matching is required.
IMPORTANT NOTES
• This description covers the combined PowerGrade and LUT bundle.
• The creator also sells LUT-only and PowerGrade-only versions.
• F-Log2C PowerGrades require DaVinci Resolve 19.
• The F-Log2C RCM PowerGrade is intended for Resolve Color Managed workflows.
• Post-production LUTs use 65-point precision.
• On-set monitoring LUTs use 33-point precision.
• The product is a camera matching system, not a Kodak or Fujifilm film stock emulation preset.
• FilmUnliJuan Melara – Fujifilm X-H2S to Alexa PowerGrade & LUTs
X-H2SFuji2Alexa is a camera color matching system developed by Juan Melara to accurately match Fujifilm X-H2S footage to the ARRI Alexa.
The package supports Fujifilm F-Log2 and F-Log2C, transforming footage toward the Alexa color response and native ARRI LogC format.
The PowerGrade & LUT Bundle combines editable DaVinci Resolve PowerGrades with camera matching LUTs, Rec.709 output transforms, post-production LUTs, and on-set monitoring LUTs.
WHAT'S INCLUDED
1. CAMERA MATCHING POWERGRADES
• X-H2SFuji2Alexa F-Log2 YRGB PowerGrade – Matches Fujifilm X-H2S F-Log2 footage to ARRI Alexa.
• X-H2SFuji2Alexa F-Log2C YRGB PowerGrade – Supports F-Log2C footage in DaVinci Resolve 19.
• X-H2SFuji2Alexa F-Log2C RCM PowerGrade – Designed for F-Log2C footage in Resolve Color Managed workflows. Requires DaVinci Resolve 19.
2. CAMERA MATCHING LUTS
• X-H2SFuji2Alexa LogC Camera Match LUT – Transforms Fujifilm X-H2S F-Log2/F-Log2C footage to match ARRI Alexa in its native LogC format.
• Can be combined with ARRI LogC output transforms or compatible Alexa LUTs and PowerGrades.
3. ARRI LOGC TO REC.709 LUTS
• Standard.
• Standard V2.
• Standard V3.
• Wide Dynamic Range V2 (WDR V2).
The V3 transform offers slightly higher contrast than V2 and reduced highlight saturation for more natural skin tones.
4. POST-PRODUCTION REC.709 LUTS
• Combined camera matching and Rec.709 transforms.
• Standard V2, Standard V3, and WDR V2 variations.
• High-quality 65-point precision for post-production.
5. IN-CAMERA / ON-SET REC.709 LUTS
• Combined X-H2SFuji2Alexa and Rec.709 transforms.
• Standard V2, Standard V3, and WDR V2 variations.
• 33-point precision for compatible cameras and external monitors.
KEY FEATURES
• Accurate Fujifilm X-H2S to ARRI Alexa color matching.
• Support for Fujifilm F-Log2 and F-Log2C.
• ARRI LogC camera matching workflow.
• Editable YRGB PowerGrades in DaVinci Resolve.
• F-Log2C support for Resolve Color Managed workflows.
• Multiple ARRI Rec.709 output transforms.
• 65-point post-production LUTs.
• 33-point on-set monitoring LUTs.
• Compatibility with other LUTs and PowerGrades designed for ARRI Alexa.
• Flexible workflows using either PowerGrades or LUTs.
COMPATIBILITY
Camera:
• Fujifilm X-H2S.
Input profiles:
• Fujifilm F-Log2.
• Fujifilm F-Log2C.
Software:
• DaVinci Resolve – PowerGrade and LUT workflows.
• Adobe Premiere Pro and other compatible NLEs – LUT workflows.
Color workflows:
• DaVinci YRGB.
• Resolve Color Managed (RCM).
• ARRI LogC.
• Rec.709.
F-Log2C PowerGrades require DaVinci Resolve 19.
VERSION HISTORY
February 20, 2025:
• Added F-Log2C support to PowerGrades and LUTs.
• Added F-Log2C RCM PowerGrade.
• Introduced ARRI Rec.709 V3.
• Updated post-production and on-set LUTs with Rec.709 V3.
Initial release: June 5, 2023.mited is demonstrated separately and is not automatically included.
• The final result depends on camera settings, exposure, white balance, color management, and grading adjustments.
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